Minimalist poster design, high-end editorial style, symbolic not literal. White (or warm ivory) background. In the center, a single thin vertical “river” of tiny rectangles (representing content) falling like a waterfall from top to bottom. Most rectangles are blank, faint, or blurred. Near the middle, one small human silhouette stands still, holding a simple label-maker; a narrow circle of light around them. A few rectangles close to the silhouette carry tiny clean stickers with only these words (uppercase, minimal): “GENERATED”, “NOT REVIEWED”, “NO SOURCES”, “OPINION”. At the bottom, the falling rectangles accumulate into two neat piles: - left pile: bright glossy wrappers (junk-food content), lightweight, shiny - right pile: heavier matte pages and a single worn book (nourishing work), textured, calm At the top edge, a very subtle faint line of micro-text like a dim ticker (barely visible): “VOLUME SPEED ENGAGEMENT” (tiny, understated, not readable from far). Typography: Swiss modern / Bauhaus-inspired, lots of negative space, strict grid alignment. Color palette: mostly monochrome with one accent color for labels (single muted neon accent). Lighting: flat studio poster lighting, crisp edges, minimal shadows. Style: graphic, clean, museum poster, minimalist realism (not cartoon), ultra-high resolution. No extra text, no paragraphs, no logos, no meme style. | Brainrot Research